Now Playing: Week 4
This week’s Now Playing leans into mood-driven soundscapes, blending soulful grooves, introspective songwriting, and hazy, nostalgic textures. Each track offers something immersive in its own way. Whether you’re looking for something to sink into or simply a fresh addition to your rotation, these five picks are worth a listen.
Now Playing
Jan 31, 2025
PARADIGM – Avara, Deb Fan
Avara and Deb Fan channel rich neo-soul energy on "PARADIGM," delivering a sound reminiscent of Erykah Badu. The track features atmospheric production that creates a hazy, meditative feel, perfectly complementing its theme of feeling trapped in a cycle and yearning for freedom. The two artists trade verses seamlessly, with their voices intertwining beautifully in the chorus. The result is a soulful, reflective, and effortlessly smooth track.
Twin Flame – Rubii
Rubii leans into her signture alternative sound on “Twin Flame,” blending lo-fi textures with hip-hop-inspired drums and samples. The track carries a subtle R&B influence, but its hazy, stripped-back production sets it apart, with sampled licks adding extra depth to the rhythm. The smooth, relaxed vocal delivery contrasts yet complements the instrumental, reinforcing the track’s introspective nature.
In The Rain – The Kount, Kojey Radical
The Kount and Kojey Radical join forces on “In The Rain,” delivering a track that exudes a vintage, summery vibe. The Kount’s production showcases his signature jazzy style, with a Latin-inspired drum beat taking center stage, driving the track forward. This is complemented by beautiful, repeating piano and bass riffs that add depth and groove. Kojey Radical’s performance strikes a perfect balance between spoken-word and rap, bringing a dynamic energy to the track. The result is a nostalgic yet fresh sound that feels like a sun-soaked day, despite its title.
Little Old Me – Emil James
Emil James keeps it raw and personal on “Little Old Me,” a track built around a hypnotic, repeating guitar riff that carries the song from start to finish. The lo-fi production keeps things simple, allowing the lyrics to take centre stage, while subtle layers of complementary guitar and understated drums add just enough depth. His vocal delivery is hushed, almost conversational, giving the song an intimate, reflective quality. With a chorus that lingers long after the track ends, “Little Old Me” is effortlessly catchy without losing its understated charm.
Signs – Wet
Wet stay true to their signature delicate and ethereal sound on “Signs,” a melancholic reflection on repeating the same mistakes. The track floats in a steady, dreamy space, with soft layers of instrumentation drifting in and out to maintain momentum. While it leans into their usual atmospheric indie-pop, there’s an almost folky quality to the arrangement. As the song builds, everything swells back in for a gentle yet poignant crescendo, making for a quietly powerful listen.
PARADIGM – Avara, Deb Fan
Avara and Deb Fan channel rich neo-soul energy on "PARADIGM," delivering a sound reminiscent of Erykah Badu. The track features atmospheric production that creates a hazy, meditative feel, perfectly complementing its theme of feeling trapped in a cycle and yearning for freedom. The two artists trade verses seamlessly, with their voices intertwining beautifully in the chorus. The result is a soulful, reflective, and effortlessly smooth track.
Twin Flame – Rubii
Rubii leans into her signture alternative sound on “Twin Flame,” blending lo-fi textures with hip-hop-inspired drums and samples. The track carries a subtle R&B influence, but its hazy, stripped-back production sets it apart, with sampled licks adding extra depth to the rhythm. The smooth, relaxed vocal delivery contrasts yet complements the instrumental, reinforcing the track’s introspective nature.
In The Rain – The Kount, Kojey Radical
The Kount and Kojey Radical join forces on “In The Rain,” delivering a track that exudes a vintage, summery vibe. The Kount’s production showcases his signature jazzy style, with a Latin-inspired drum beat taking center stage, driving the track forward. This is complemented by beautiful, repeating piano and bass riffs that add depth and groove. Kojey Radical’s performance strikes a perfect balance between spoken-word and rap, bringing a dynamic energy to the track. The result is a nostalgic yet fresh sound that feels like a sun-soaked day, despite its title.
Little Old Me – Emil James
Emil James keeps it raw and personal on “Little Old Me,” a track built around a hypnotic, repeating guitar riff that carries the song from start to finish. The lo-fi production keeps things simple, allowing the lyrics to take centre stage, while subtle layers of complementary guitar and understated drums add just enough depth. His vocal delivery is hushed, almost conversational, giving the song an intimate, reflective quality. With a chorus that lingers long after the track ends, “Little Old Me” is effortlessly catchy without losing its understated charm.
Signs – Wet
Wet stay true to their signature delicate and ethereal sound on “Signs,” a melancholic reflection on repeating the same mistakes. The track floats in a steady, dreamy space, with soft layers of instrumentation drifting in and out to maintain momentum. While it leans into their usual atmospheric indie-pop, there’s an almost folky quality to the arrangement. As the song builds, everything swells back in for a gentle yet poignant crescendo, making for a quietly powerful listen.
All killer,
no filler.
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All killer,
no filler.
Stay in the loop with regular updates on the music that matters - straight to your inbox.
All killer,
no filler.
Stay in the loop with regular updates on the music that matters - straight to your inbox.